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Madagascar: Escape 2 Africa

3:37pm Wednesday 3rd December 2008

Animal magic is in short supply in Madagascar: Escape 2 Africa, a colourful computer-animated sequel for the entire family which cheekily recycles the plot of The Lion King. Eric Darnell and Tom McGrath's film strands its menagerie of misfits in the wild, where they discover the courage to follow their hearts and to reclaim a birthright as king of the jungle.

Flawless, Rivalsand Julia

Flawless, Rivalsand Julia

3:35pm Wednesday 3rd December 2008

The older he gets, the more Michael Caine seems to be happier with nostalgia than novelty. He featured in Sylvester Stallone’s dismal remake of Get Carter, assumed the Laurence Olivier role in Kenneth Branagh's wholly unnecessary reworking of Sleuth and spoofed his Harry Palmer spy persona in Austin Powers in Goldmember. He’s even butled for Batman. But nowhere has Caine seemed more comfortable of late than as the janitor planning a diamond heist in Michael Radford’s period romp, Flawless.

Four Christmases and Changeling

3:01pm Wednesday 26th November 2008

Rumours of an on-set feud between lead stars Reese Witherspoon and Vince Vaughn hardly echo the tidings of comfort and joy espoused by Seth Gordon’s romantic comedy Four Christmases. "We've just got to get through these four Christmases as quickly and painlessly as possible,” grimaces Witherspoon's plucky heroine as she stares down the barrel of back-to-back celebrations with her divorced parents and the in-laws. By the end of the first act, we realise with mounting horror that director Gordon and his four screenwriters have no intention of granting her (and therefore us) that wish.

Before the Rains, Año uña and The Silence of Lorna

3:00pm Wednesday 26th November 2008

Having impressed with The Terrorist (1999) and Asoka the Great (2001), cinematographer-turned-director Santosh Sivan makes his English-language debut with Before the Rains. Set in Kerala in southern India in 1937, the action centres on spice baron Linus Roache, as he tries to secure from banker John Standing the funding for a road that will enable him to expand his business. A committed colonialist, Roache plans to share his wealth with factotum Rahul Bose. But the project is endangered when Roache is spotted with his housemaid mistress Nandita Das and Bose has to devise an elaborate cover-up to maintain appearances with the locals and prevent memsahib Jennifer Ehle from learning the truth.

Waltz With Bashir

3:31pm Wednesday 19th November 2008

The Japanese have been making grown-up cartoons for decades. But the emphasis of so much anime has been on sci-fi and fantasy and it's only recently that animators have begun to tackle weightier topics in the graphic novel style of, say, Art Spiegelman’s Maus.

Conversations with My Gardener and Belle Toujours

3:30pm Wednesday 19th November 2008

Two superb films about ageing are released this week and it’s wonderful to see that cinema is still being made somewhere in the world whose main constituency isn’t adolescent males.

Zack and Miri Make a Porno

10:09am Thursday 13th November 2008

Almost 20 years ago, Rob Reiner's seminal romantic comedy When Harry Met Sally posed the age-old question: can men and women truly be friends without sex getting in the way? For Meg Ryan and Billy Crystal, carnal desires wrecked their characters' friendship, reducing a previously rock solid relationship to a morass of anger, regret and razor-sharp one-liners.

Oliver Stone's W

10:51am Thursday 6th November 2008

Oliver Stone has cultivated a reputation as the bruiser of modern cinema. He highlighted the moralcomplexities of Vietnam (Platoon, Born on the Fourth of July, Heaven & Earth), savaged his fellow Americans's relentless pursuit of wealth (Wall Street), satirised the glamorisation of violence (Natural Born Killers) and remembered one of the US’s darkest days (World Trade Center).

Of Time and the City, OSS 17 Cairo, Nest of Spies. L:et's Talk About the Rain and IN Prison My Whole Life

10:50am Thursday 6th November 2008

Occasionally, a film makes such an impression that it's impossible to view it objectively. For a Liverpudlian who will have been in Oxford for 30 years next October, Terence Davies's Of Time and the City is such a film. Having looked forward to this hometown essay-cum-elegy seemingly as long as for Liverpool's next championship win, it was difficult to contain the disappointment on watching what felt like a betrayal of the city and its people. Only on the fourth viewing was it possible to concede that Davies was entitled to say what he likes about Merseyside – after all, that's what auteur visions are for – and to accept with envy the detachment of a London critical corps who could only see a masterwork of audiovisual acuity and integrity.



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