Commotio’s latest recording — their fourth — is, quite simply, stunning. This exploration of the choral music of Francis Pott sees the choir in typically adventurous mood, eschewing the standard choral repertoire for lesser-known fare and, as always, doing so exceptionally well. The fact that Pott has Oxford connections is an added bonus; he was a choral scholar at New College in the 1960s, and a lecturer in music at St Hilda’s from 1992 to 2001.

Pott’s sublime Mass for Eight Parts forms the framework for the CD, from the quietly compelling opening of the Kyrie eleison, with its intricate texturing, to the heartfelt Gloria in excelsis Deo, and the poignant Agnus Dei, written in memory of former choir member Dr Anabela Bravo. There is some exceptionally eloquent and fluid singing from the choir, and some lovely, soaring solo passages from soprano Grace Davidson, who rises effortlessly above the massed voices. This is an inspiring work, delivered here in suitably reflective mood, with conductor Matthew Berry clearly in meticulous control.

Interspersed between the movements of the Mass is a selection of Pott’s other works, all handled with sensitivity and sincerity. The heartbreakingly beautiful Lament, a setting of Wilfrid Wilson Gibson’s poem We who are left, is a moving plea to remember the dead, and was written in memory of an Afghan war hero. In contrast, Ubi caritas was written to commemorate a wedding anniversary, and is both joyous and contemplative. There are also several pieces commemorating the Nativity, with Davidson making another welcome and passionate appearance in Balulalow.

Many of the works featured have been performed by Commotio at various Oxford concerts, and it is a treat to have them on disc. Listening to this CD is an unforgettable experience, and it is worthy of a place on any music-lover’s shelf.

Visit www.naxos.com or www.commotio.org for further details.