Gallop through the years

The Oxford Times: Gallop through the years

3:32pm Friday 9th November 2012

Five years ago Oxfordshire celebrated its 1,000th birthday, but I remember thinking at the time —and I hate to carp — that surely counties, like languages, came into existence gradually, rather than with a single event.

The dashing Duke’s Oxford connections

3:31pm Friday 9th November 2012

Daring, dashing, grand, clever, humorous; yes. But academic, intellectual. . . ?

Late-night lesson for future PM

3:26pm Thursday 4th October 2012

Being brainy in 19th century Oxford was no fun, if the experiences of that tortured soul William Ewart Gladstone (1809-1898) are anything to judge by.

Henry VIII was bad for stained glass business

The Oxford Times: Henry VIII was bad for stained glass business

3:24pm Thursday 4th October 2012

Fairford Church, just over the county boundary in Gloucesteshire, has the most complete set of early 16th-century stained glass windows in England, consisting of 28 windows dating from 1517, miraculously left more or less undamaged by either Henry VIII’s henchmen in the Reformation, or the Puritans 100 years later.

How Norman was Edward the Confessor?

The Oxford Times: How Norman was Edward the Confessor?

2:02pm Wednesday 29th August 2012

How Norman was the saint and king, Edward the Confessor, born in Islip in about 1005, and now regarded as one of the last Anglo-Saxon kings? Answer: very. He left England for Normandy when he was only eight years old, and did not return for 28 years — apart from a short visit in 1036, following the death of his step-father King Canute of Denmark and England. Then he reappeared here in 1041, the year before he became King of England.

Open submission photography: Art Jericho

The Oxford Times: Open submission photography: Art Jericho

1:57pm Wednesday 29th August 2012

Art Jericho’s second open photographic submission has attracted enthusiastic and imaginative responses from a wide range of photographers, resulting in more than 60 images in the exhibition.

Early advocate of a federal Europe

The Oxford Times: Family business - a Salters boat

2:59pm Wednesday 22nd August 2012

I suppose many of us cannot cross Folly Bridge without a nod and a smile towards the sign proclaiming the Salters company.

British Art from the 1950s: Basildon Park, near Reading

The Oxford Times: British Art from the 1950s: Basildon Park, near Reading

2:19pm Wednesday 22nd August 2012

You have a new picture. Where to put it? Take something down, shift things around, a radical rethink, or what? Imagine if you have 29 works of art from the 1950s — rarely-seen paintings, photographs and sculptures — on loan from the Arts Council Collection to hang around the house. This was the task facing Donald Ramsay when the National Trust-owned Georgian mansion, Basildon Park, near Reading, was chosen as one of five properties to host loan pieces from the Arts Council Collection as part of the Trust New Art programme promoting contemporary and modern art in its historic places.

Lambert Simnel, a counterfeit king

The Oxford Times: nMINSTER LOVELL HALL: The skeleton of a man and a dog were found in a wall cavity here in the 18th

1:00pm Wednesday 15th August 2012

Once upon a time a good-looking Oxford youth, the son of a carpenter, was taken away from his home city and crowned King of England by an archbishop.

The Storyloom/Tea With Alice: The Story Museum, Oxford

The Oxford Times: The Storyloom/Tea With Alice: The Story Museum, Oxford

12:31pm Wednesday 15th August 2012

Ted Dewan calls Oxford “the Hollywood of stories”.

Jane Hope: O3 Gallery, Oxford

The Oxford Times: Jan Hope: O3 Gallery, Oxford

12:26pm Wednesday 15th August 2012

The majority of artist Jane Hope’s work is inspired by and executed in the winter, when the combination of the light and the play of shadows intrigues and engages her.

Momentous days of Robert Grosseteste

The Oxford Times: MEDIEVAL OXFORD: A conjectured study by H.W. Brewer in 1891 of Osney Abbey as it would have looked three centuries before. Oxford University Chancellor Robert Grosseteste protected students there during a riot in the mid-13th century

10:29am Thursday 9th August 2012

Everyone knows that Oxford has a split personality, but the ‘Gown’ part of it is strange indeed.

Bohemian Pearl: Erin Singleton. Vesey Room, Bampton Library

The Oxford Times: Bohemian Pearl: Erin Singleton. Vesey Room, Bampton Library

9:46am Thursday 9th August 2012

Tucked away near the church, in the picturesque town of Bampton, Erin Singleton, a perceptive artist, has mounted a thought-provoking exhibition on the 1930s through to the 1960s. Using wood, paint and different printing techniques, she selects found objects, coins, buttons, photographs and games, to create her assemblages that represent chance and mutability. Her ‘family’ series illustrate changing fashions in the domestic scene with disturbing intimations of gambling, drinking and abuse. Erin’s grandmother was very strict with her children, hence the tiny but cruel clothes hangers. Each collage features a paper bird affected by time; the first one is pure and perfect, while the wings of the second bird are singed, indicating wear and tear, History and nostalgia infuse this exhibition. In her greeting cards Erin plays with pop, propaganda slogans and advertising as “pin-up girls and suburban housewives take centre stage . . . during a time of great social upheaval and political unrest”. In one of ‘The War Girls’ series, reminiscent of propaganda war posters, a sexy silhouette of a girl leans provocatively against a dartboard with the text ‘keep ’em firing!’ showing her to be the real target.

When the spoilsports turned on morris dancing

The Oxford Times: Oxcford City Morris men at the Gardeners' Arms, Plantation Road     Picture: Neil Braggins

1:44pm Wednesday 1st August 2012

It is tempting to peer back at life in pre-industrial Oxfordshire and think of it as a sort of golden age.

Away: Art Jericho

The Oxford Times: Away: Art Jericho

1:41pm Wednesday 1st August 2012

Away brings together work by photographers Sharon Boothroyd and Tim Crooks. They both explore aspects of dislocation, vulnerability and absence.

Flight and the Artistic Imagination: Compton Verney

The Oxford Times: Flight and the Artistic Imagination: Compton Verney

1:36pm Wednesday 1st August 2012

Compton Verney goes from strength to strength.

How Birinus spread the word of Christ

The Oxford Times: Dorchester Abbey

11:02am Thursday 26th July 2012

One of the earliest seeds of Christianity in England, from which the faith was destined to spread throughout the realm, was planted in what is now Oxfordshire soil.

Fred Cuming: Brian Sinfield gallery, Burford

The Oxford Times: Fred Cuming: Brian Sinfield gallery, Burford

10:53am Thursday 26th July 2012

‘It’s where I walk every day, or pretty much every day,” said Fred Cuming RA. “Camber Sands, about five or six miles from where I live, at Iden, near Rye.”

Screen dream piece beats the competition

The Oxford Times: Screen dream piece beats the competition

9:18am Thursday 26th July 2012

Modern Art Oxford commissioned John Gerrard to make a stunning piece of artwork for London 2012

Enjoying our green and pleasant land

The Oxford Times: Rousham House

11:25am Thursday 19th July 2012

‘England is like one big park.” So said a young nephew from Ireland, as we drove from Woodstock to Burford.

Wonderland: O3 Gallery, Oxford Castle

The Oxford Times: Alice in the Ship of Fools

11:04am Thursday 19th July 2012

This year is particularly significant for the Alice Day celebrations which take place each July, as it is the 150th anniversary of the year in which Lewis Carroll told his tale of Alice’s Adventures in Wonderland to Alice Liddell and her sisters. Fourteen artists have contributed to the exhibition, beautifully curated to provide a visual journey, enhanced by each artist’s take on the story. The show makes clever use of the two levels of the O3 Gallery, providing a natural progression through the story. In addition, there are audio pieces by Goldsmiths’ Music Faculty. There are DVDs from the University of California’s Wonderland Film Award, plus the opportunity to buy from the Mad Hatter’s Tea Party Installation.

Marion Yorston: The North Wall, Oxford

The Oxford Times: Marion Yorston

9:37am Thursday 19th July 2012

The talented artist, Marion Yorston’s latest exhibition Translucent delves into evolution. Marion came here from the Orkneys, renowned for its archaeology, history, art and wild landscapes. Her formative years were spent in Scotland and Canada. “My earliest memories are filled with coastal walks, finding treasures in rock-pools and being fascinated by the beauty of the natural world,” she says.

Fancy Free, Oxfordshire Craft Guild: West Ox Arts, Bampton

The Oxford Times: Fancy Free, Oxfordshire Craft Guild: West Ox Arts, Bampton

9:32am Thursday 19th July 2012

This varied exhibition in Bampton draws on both past and future. Victoria Borondo, inspired by vintage dresses, botanical paintings and china designs, favours a muted palette. Her bags, purses and brooches, made of silk, satin and lace, and decorated with pearls, buttons and Victorian lace, are timeless.

Preview of Ivan Green exhibition, Dadbrook Gallery, Cuddington

The Oxford Times: St Paul's Cathedral

9:02am Thursday 19th July 2012

Ivan Green is an artist who has developed a revolutionary method of print making which results in works both richly textured and hauntingly atmospheric. As a celebration of the Olympic Games, Dadbrook Gallery is showing all his prints, including his London series. Clico Kingsbury, the gallery director tells me: “We wanted to mark the occasion in an original way and Ivan’s work is a perfect choice. He depicts some of London’s best known buildings in London but re-interprets them in an astonishingly creative way.” Ivan’s method is to note his initial feelings and thoughts on site and then research to understand the vision of the original architects or sculptors, aiming to create a resonance of mind and spirit. The final image is a palimpsest with layers worked and re-worked in a montage of growing locational information. Like much great art of the past, his works reward the viewer’s close scrutiny: Tower Bridge, St Pauls (pictured), Westminster Abbey, Horseguards and others all take on new and sometimes startling additions which draw attention not just to the original structures and forms but also ask us to reconsider them thoroughly. As these limited edition prints are the creative re-interpretations of some of the finest buildings and sculptures in the Cities of London and Westminster, Green challenges us to re-assess the familiar and to engage with his vision of our capital. Dadbrook Gallery will be showing his complete works to date, which also include Stowe and Aylesbury. Ivan is currently working on images of Oxford for the 2013 Oxford Almanak. Previous artists for this annual almanac, produced by the OUP include Turner and John Piper. His work is collected by many institutions including the Ashmolean. Prices start from £295. Ivan Green’s limited edition prints will be shown at the Dadbrook Gallery from Saturday until July 29, daily 10am to 5pm. Dadbrook Gallery, Dadbrook House, Cuddington, Bucks, HP18 0AG. Tel: 01844 292459 or 07776 201 062 (www.dadbrookgallery.co.uk ).

Oxford University: From a fragile beginning to robust power

The Oxford Times: The University Church of St Mary the Virgin was the focus of the university in its early days

3:55pm Wednesday 11th July 2012

Like a fragile flower struggling to survive in less than fertile soil, Oxford University came into existence some time in the middle of the 12th century. But ironically, it was the riots between Town and Gown of the 13th century — which nearly destroyed it for ever — that were ultimately the making of it.

Preview of Art in Action, Waterperry

The Oxford Times: Preview of Art in Action, Waterperry

3:25pm Wednesday 11th July 2012

Every July, 400-plus artists, craftspeople, performers, musicians and lecturers come together in the beautiful house and grounds at Waterperry (right) to demonstrate their skills and their love of their chosen art form. The result is a hugely rich experience for the 25,000 visitors.

Ceri Richards: Art Jericho

The Oxford Times: Ceri Richards: Art Jericho

3:19pm Wednesday 11th July 2012

This exhibition, 40 years after the death of this remarkable artist, focuses on his later work of lithographs and colour prints. It provides a wonderful introduction to, or re-acquaintance with, Richards’s work and a spur to seek out more of it, including the substantial collection at The Tate and The Glynn Vivian Art Gallery, Swansea where Richards held his first show in 1930.

Alice journeyed in Frideswide's wake

The Oxford Times: Alice's door in St Frideswide's Church, Botley Road, Oxford

3:07pm Wednesday 4th July 2012

Alice and Frideswide were two girls who took boats along the same stretch of the Thames, both rowing past Osney where this newspaper office stands today.

Jenny Saville: Modern Art Oxford

The Oxford Times: Reverse, 2002-3

2:57pm Wednesday 4th July 2012

It’s been quite a year for flesh. Lucien Freud in London to begin with, heroic nudes over at Christ Church Picture Gallery, Oxford in time for the Olympics, and now at Modern Art Oxford (MAO) British painter Jenny Saville.

How Oxford grew in size and status

The Oxford Times: Oxford Town Hall reflected the city's growing influence

4:25pm Wednesday 27th June 2012

That dangerous debunker and radical, William Cobbett (1763-1835), conducting his Rural Rides into Oxfordshire in the 1820s, spent much of his time denouncing exactly the same social changes that many grumpy old men enjoy complaining about now.

Contemporary sculpture: Waddesdon Manor

The Oxford Times: Contemporary sculpture: Waddesdon Manor

4:09pm Wednesday 27th June 2012

A giant House of Cards stands on the parterre at Waddesdon Manor. Its four sheets of steel lean one against the other, the precarious balancing act of American artist Richard Serra’s work sustained by weight and pressure alone.

Sculptors on form

The Oxford Times: Sculptors on form

10:17am Thursday 21st June 2012

THERESA THOMPSON delights in a new stone sculpture exhibition at Asthall Manor

A murder case that gripped the nation

The Oxford Times: Buscot Park, near Farington

1:58pm Wednesday 20th June 2012

There is trouble in Paradise. I don’t mean Paradise in the hereafter that some of us hope to reach some day, but the one up river from Oxford near Kelmscott — the place that 19th-century Pre-Raphaelite design guru William Morris famously described as “Heaven on Earth”. The trouble centres on Brandy Island, now sitting undisturbed and tranquil in the River Thames near the lovely church of St Michael and All Angels at Eaton Hastings, a deserted medieval village, and St Mary the Virgin at Buscot.

The French helped to make the Oxford we know

The Oxford Times: St Michael at the Northgate, Oxford's oldest building

12:08pm Wednesday 13th June 2012

Oxford’s early development into a university city of international importance closely mirrors the development of England as a nation.

Portraits of the Queen: Bampton Gallery

The Oxford Times: Portraits of the Queen: Bampton Gallery

3:06pm Wednesday 6th June 2012

This striking exhibition has drawn artists from round the world who see the Queen with traditional and fresh eyes.

A tough lesson for pioneer socialists

The Oxford Times: Burford Church

3:10pm Wednesday 6th June 2012

Odd, when you come to think of it, that Burford should one day have commemorated the actions of someone who beheaded a monarch; and then, just weeks later, celebrated the fact that another monarch has been on the throne for 60 years.

Life Lines, Angela Palmer: Waterhouse & Dodd, Cork Street, London

The Oxford Times: Life Lines, Angela Palmer: Waterhouse & Dodd, Cork Street, London

2:56pm Wednesday 6th June 2012

In the same way as lines of ink on a page become writing, become a novel, become the reality of a story in the imagination of writers like Robert Harris, and in turn that of the readers, so the lines artist Angela Palmer creates with an engraving tool on sheets of glass transmute in her artworks into other realities.

Donning Oxford: O3 Gallery, Oxford

The Oxford Times: Donning Oxford: O3 Gallery, Oxford

2:53pm Wednesday 6th June 2012

The pun in the title of this exhibition makes reference to both the academic aspects of the city and to the act of donning regalia, insignia, jewellery and other badges or markers that establish an association between the wearer and his or her Oxford. Each of the 19 artist jewellers involved have created their own ‘donnings’.

Preparing to throw the jubilee cakes

The Oxford Times: Preparing the throw the jubilee cakes

2:55pm Wednesday 30th May 2012

Throwing buns from County Hall in Abingdon as a way of celebrating Royal and national events —including, of course, next week’s Diamond Jubilee — is a tradition at least 250 years old. The first recorded chucking of ‘cakes’ as they were then called (I hope penny tea-cakes, not squidgier items) by bigwigs, such as councillors and so forth, on to the populace in the square below happened on the occasion of the coronation of King George III in 1761.

Gainsborough's Landscapes: Themes and Variations: Compton Verney

The Oxford Times: Landscape with a View of a distant Village, c. 1750

3:25pm Tuesday 29th May 2012

‘I am sick of portraits and wish very much to . . . walk off to some sweet Village where I can paint Landskips and enjoy the fag End of Life in quietness & ease,” Thomas Gainsborough grumbled in a much-quoted letter he wrote to a friend.

Andrew Lanyon: Art Jericho

The Oxford Times: Andrew Lanyon: Art Jericho

3:22pm Tuesday 29th May 2012

Andrew Lanyon grew up in Cornwall, influenced by the modernists in St Ives, where his artist father Peter Lanyon worked alongside Ben Nicholson and Naum Gabo.

The English Prize: The Capture of the Westmorland, An Episode of the Grand Tour: The Ashmolean Museum

The Oxford Times: The English Prize: The Capture of the Westmorland, An Episode of the Grand Tour: The Ashmolean Museum

3:19pm Tuesday 29th May 2012

In January 1779, the Westmorland, an armed merchant ship sailing from Livorno to London laden with the mementoes of wealthy young men on the Grand Tour, was captured by two French frigates and declared a ‘prize of war’. Towed into Malaga, its cargo — 90 crates of antiquities and works of art, souvenirs ranging from Piranesi engravings and Cozens watercolours to books, maps, and fans, as well as anchovies and 32 wheels of Parmesan cheese — was seized and sold on in Spain. Most were bought for King Carlos III of Spain, and over time the contents dispersed across Spanish museums. Nothing reached these shores.

Summer Exhibition, Dadbrook Gallery, Cuddington, near Thame

The Oxford Times: Summer Exhibition, Dadbrook Gallery, Cuddington, near Thame

1:21pm Friday 25th May 2012

Arresting images of an English meadow by day and night are a compelling feature of this year’s Summer Exhibition at the Dadbrook Gallery, in Cuddington, near Thame.

Why no horses on the river towpath?

The Oxford Times: Why No Horses on the River Towpath

10:32am Thursday 24th May 2012

Strange, I have always thought, as I walk to work of a morning, that a sign on the path alongside the Thames at Osney, reads “No Horses”. Supposing I wanted to tow a barge? After all, is that not what a towpath is for? But thereby hangs a tale . . .

Art of Africa: Fillington Farm, Piddington, near High Wycombe

The Oxford Times: Art of Africa: Fillington Farm, Piddington, near High Wycombe

10:28am Thursday 24th May 2012

Red kites swooping over Fillington Farm, at Piddington, near High Wycombe, suggest an avian theme for Art of Africa (until Sunday) at Fillington Farm, Piddington. Gemma Orkin’s elegant, handmade ceramic bowl boasts a long-tailed Sugar Bird, the pen and ink lines suggest feathers while its maroon coloured claws clasp a spiky branch. Also from the Cape, Sonya Moore’s serene hand-thrown platter Bird on a Wire displays her signature design, a bird etched out of the delicate celadon glaze.

Turner Inspired: In the light of Claude: The National Gallery

The Oxford Times: DAZZLING: Joseph Mallord William Turner’s Keelmen Heaving in Coals by Night, 1835, oil on canvas

10:19am Thursday 24th May 2012

Claude’s 1648 painting Seaport with the Embarkation of the Queen of Sheba proved too much for J.M.W. Turner. He apparently burst into tears when he first saw it. The busy Italianate harbour scene painted in exquisite detail, illuminated by a tranquil rising sun placed fractionally off-centre, captivated the young English painter.

Bearing witness to Betjeman's Oxford

2:34pm Thursday 17th May 2012

CHRIS KOENIG uses a famous teddy bear as the starting point to explore the writer’s period at University

Artists and Studios: Private Views: Mill Arts Centre, Banbury

The Oxford Times: Manja Scott: printmaker and painter, (c. Murison-Bowie)

12:40pm Thursday 17th May 2012

In celebration of Artweeks’ 30th anniversary, photographer Simon Murison-Bowie has photographed 30 Oxfordshire artists at work in their studios, his intention being to explore the interaction between those creating, their personal workspace and the tools and methods they use to produce their work.

Artweeks show by East St Helen's Group, St Ethelwold's House, Abingdon

The Oxford Times: Artweeks show by East St Helen's Group, St Ethelwold's House, Abingdon

12:40pm Thursday 17th May 2012

Twelve members of this well-established group of artists have contributed work to this exhibition.

South Fawley Sculptors: Studio in Farmyard

The Oxford Times: South Fawley Sculptors: Studio in Farmyard

12:40pm Thursday 17th May 2012

Three internationally recognised sculptors have brought their work together to create an interesting, successful and complementary exhibition in an attractive and sympathetic Artweeks setting in South Fawley, near Wantage.



TOP FIVE MUSIC CHARTS

Your townYourOxford


Your Say Your Oxford



click2find


About cookies

We want you to enjoy your visit to our website. That's why we use cookies to enhance your experience. By staying on our website you agree to our use of cookies. Find out more about the cookies we use.

I agree