Andrew Lanyon grew up in Cornwall, influenced by the modernists in St Ives, where his artist father Peter Lanyon worked alongside Ben Nicholson and Naum Gabo.

This exhibition is mainly of his photographs. Vintage prints were made at the time they were taken, in the mid-sixties and seventies. Contemporary ones were printed more recently from original negatives. Both include landscapes, of Cornwall in particular, and portraits of distinctive buildings and people.

In Starlings near Marazion, above, he captures the imminence of an approaching storm in both the tree and scrub and the wild flight of the birds. His portraits are of their time and place, some capturing gentlemen of the road aiming to make the bare ground or a park bench as homely as possible; others of women, on whom the demands of housewifery without labour-saving devices has taken its toll.

The show also includes four sculptures: hollow books. These make an interesting meeting of text and found objects held together in book format. In WHAT CHANCE LIFE a hollow rectangle of wood, makes up the body of the book, housing a bunched set of typewriter keys. This is fronted by a title and other pages, one showing an amiable chimpanzee at work on a keyboard.

The nine oil paintings included are executed with the same precision and eye for detail that Lanyon brings to his photography. In Two Circular Walkers, the figures are captured against a landscape that has been deconstructed into broad brushes in shades of green.

To all his images Lanyon brings insight into his subject matter and precision in its execution, producing a body of work of substantial and powerful images.

The exhibition at Art Jericho is open Tuesday to Sunday and continues until June 10.