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    <pubDate>Mon, 28 May 2012 17:52:53 +0100</pubDate>
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           <title>Rhod Gilbert: The New Theatre</title>
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           <description><![CDATA[
  Rhod Gilbert was deservedly given a warm welcome at the New Theatre by a full-house audience charged up with memorable sketches from his past two shows
  (who could forget that minced pie?) and eager for The Man With The Flaming Battenburg Tattoo.
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           <pubDate>Thu, 24 May 2012 13:39:48 +0100</pubDate>
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           <title>Meaty part is a true classic</title>
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           <description><![CDATA[
  Eton, Oxford and then the Conservatives? That seems to be the current well-trodden path. Except that Ben Lamb is breaking the mould on numerous fronts, not least his decision to opt for RADA rather
  than Parliament.
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           <pubDate>Thu, 24 May 2012 10:44:04 +0100</pubDate>
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           <title>Gearing up for Garsington</title>
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  Suddenly two dozen pairs of eyes are staring straight at me, the nearest of them only about six feet away. Two dozen voices emphatically deliver the words: “He must never, never know.”
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           <pubDate>Thu, 24 May 2012 10:39:04 +0100</pubDate>
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           <title>The Diary of Anne Frank: Oxford Playhouse</title>
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  ‘I am going to be a famous writer, singer and dancer one day,” announces precocious teenager Anne Frank as she batters her irrepressible energy against the unyielding walls of the hideaway
  protecting her family from the fanatics out to kill them. Singer and dancer she would never be. Anne’s fame — destined to endure as long as words are read — is as a writer who exposed the infamy of
  a regime that stole her life before it had properly begun and the lives of six million other Jews.
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           <pubDate>Thu, 24 May 2012 10:22:02 +0100</pubDate>
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           <title>Preview of Oxfringe</title>
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  From just two events in 2007, Oxfringe has blossomed this year into a three-week festival, with over 160 shows taking place in more than 30 venues across the city and beyond. The Oxfringe mission
  has always been to encourage and support new and emerging artists, and an extraordinary variety of acts has always been a feature of the festival. Comedy, music, drama, literature, dance, cabaret
  and magic — you name it, Oxfringe has it.
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           <pubDate>Thu, 24 May 2012 10:23:53 +0100</pubDate>
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           <title>Vita and Virginia: Lady Margaret Hall, Oxford</title>
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  After the success of Tom and Viv a year ago, ElevenOneTheatre again immerses itself in the Bloomsbury set, this time focusing on the fascinating relationship between Virginia Woolf and Vita
  Sackville West. Playwright Eileen Atkins captures the friendship between these two writers as it blossoms from playful, feisty exchanges into tenderness and eventually into a passionate love affair
  that spanned two decades, and culminated in Woolf immortalising Vita in her 1928 novel Orlando. Tragically, its publication coincided with Woolf’s growing jealousy of Vita’s other relationships,
  and the depression that had dogged her for much of her life strengthened its grip, leading to her suicide just over a decade later.
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           <pubDate>Thu, 24 May 2012 10:17:20 +0100</pubDate>
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           <title>Thoroughly Modern Millie: The New Theatre, Oxford</title>
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  With a back-catalogue that reaches as far into the past as 1946, the Oxford Operatic Society presents Thoroughly Modern Millie at the New Theatre as its
  first production of 2012.
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           <pubDate>Thu, 24 May 2012 10:01:10 +0100</pubDate>
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           <title>Of Mice and Men: The Watermill Theatre, Bagnor, near Newbury</title>
           <link>http://www.oxfordtimes.co.uk/leisureold/arts/theatre/9724534.Of_Mice_and_Men__The_Watermill_Theatre__Bagnor__near_Newbury/?ref=rss</link>
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  ‘Where are we going, George?” asks Lennie. “We’re goin’ to work on that farm,” George replies. Their dream is to find or make enough money to invest in a smallholding of their own, one day. But in
  Douglas Rintoul’s new production of John Steinbeck’s Of Mice and Men for the Newbury Watermill, you very quickly sense that their dream will never be fulfilled. There is a certain feeling of
  Waiting for Godot from the outset.
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           <pubDate>Thu, 24 May 2012 09:52:02 +0100</pubDate>
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           <title>Equus: coming to The Theatre, Chipping Norton</title>
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           <description><![CDATA[  First things first: this excellent production of Peter Shaffer’s well-known play about a boy who has blinded six horses will be at The Theatre, Chipping Norton, on June 8 and 9 and should on no
  account be missed.
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           <pubDate>Thu, 24 May 2012 09:53:45 +0100</pubDate>
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           <title>The Tempest: The Royal Shakespeare Theatre, Stratford-upon-Avon</title>
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  Jon Bausor’s versatile set is proving one of the star features of the RSC’s production of Shakespeare’s Shipwreck Trilogy. The wide, deep stage of the Royal Shakespeare Theatre is dominated
  throughout by a huge ‘wave’ of jagged wood planking curving upwards at the rear. In Twelfth Night a working lift delivers characters into the foyer of a down-at-heel hotel. In The Comedy of Errors,
  we are shown a sinister dockside, complete with an over-arching ship’s crane that occasionally lowers whole rooms, complete with occupants, into the action.
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           <pubDate>Thu, 24 May 2012 09:49:08 +0100</pubDate>
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