FIVE STARS

The Mousetrap is quite simply unique. It really can’t be judged by the usual criteria of play reviews, because it’s so much more than a play — it’s a theatrical event!

That said it has some very traditional strengths: a satisfying plot, interesting (if somewhat stock) characters, and a lush staging that wouldn’t look out of place in an episode of Downton Abbey. Of particular delight to the audience at the New Theatre were the unexpected flashes of tongue-in-cheek humour that pop up. The action takes place at Monkswell Manor, which the young owners Mollie and Giles Ralston have decided to turn into a guest house. Enter a selection of odd guests – each with a secret past. A blizzard cuts them off and a murder occurs. It is classic Agatha Christie and the strong ensemble cast really do justice to the work, particularly convincing in capturing the post-WW2 period in which it is set.

The iconic status that this show has accrued through its longevity is a significant part of the experience. Sue Evans, the theatre’s marketing manager, was delighted to unearth an original programme from the last time it had played at the New Theatre – 62 years ago – as part of its pre-West End tour. The Mousetrap went on to break a plethora of records following its arrival in London all those years ago. A touching fact is that a member of the original cast is still part of the show. The late Deryck Guyler (well, a recording of him) is the voice of the radio news bulletin that we hear in the play. I found it a very conspiratorial show, the audience have a special relationship with what is happening on stage.

This is all nicely summed up in the appeal at the curtain call for the audience to keep mum about the final revelation, making us ‘partners in crime’ and part of the ongoing history of The Mousetrap.

 

The New Theatre, Oxford
Until Saturday
Tickets: atgtickets.com