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    <title>The Oxford Times | Gray Matter</title>
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    <pubDate>Fri, 03 Jul 2009 16:08:26 +0100</pubDate>
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           <title>Why we were laughting at Phedre's misery</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4458612.Why_we_were_laughting_at_Phedre_s_misery/?ref=rss</link>
           <description>
  I was interested to read last Friday the comments of Benedict Nightingale, the drama critic of The Times, on the surprising laughter from the audience during the National Theatre’s new production
  of Racine’s Phèdre. By strange coincidence he provided as an example, in the opening paragraph of a feature article, precisely the same section of the play that I had cited, again with a comment on
  the laughter, in my review in Weekend the day before. This is where Phèdre, played by the marvellous Helen Mirren, having described the horror and emotional turmoil she has endured through
  unrequited love for her stepson Hippolytus &#40;played by Dominic Cooper, pictured with Dame Helen) realises that this has only been the “overture” to her woes now that she has discovered he is in love
  with someone else.
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           <pubDate>Thu, 25 Jun 2009 10:14:29 +0100</pubDate>
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           <title>Why The Winslow Boy matters to me</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4458498.Why_The_Winslow_Boy_matters_to_me/?ref=rss</link>
           <description>  I would not have missed this week’s production of Terence Rattigan’s The Winslow Boy at the Oxford Playhouse, even if I had not been there to review it. The play has a special place in
  my affections, partly for its own merits but chiefly because my first experience of giving a stage performance came when I played its title role.
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           <pubDate>Thu, 25 Jun 2009 09:54:54 +0100</pubDate>
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           <title>Stepping out in style with Annabelinda</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4443791.Stepping_out_in_style_with_Annabelinda/?ref=rss</link>
           <description>  A stylish collection of clothes was on display at the Oxfordshire Museum at Woodstock at the weekend for the launch of an exhibition highlighting the work of Oxford’s leading coutuur house,
  Annabelinda, set up in premises behind the New Theatre in 1971.
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           <pubDate>Wed, 17 Jun 2009 15:53:33 +0100</pubDate>
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           <title>Valuable guides to our best boozers</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4443780.Valuable_guides_to_our_best_boozers/?ref=rss</link>
           <description>
  These days, I regret to say, my ‘visitations’* to pubs are much fewer than they were, though I remain part of their ‘audience’** at least once or twice a week. I think it quite clear that I am
  failing to heed my oft-given advice over one’s local that one must ‘use it or lose it’.
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           <pubDate>Wed, 17 Jun 2009 15:51:37 +0100</pubDate>
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           <title>What was big in the year of the drought</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4417195.What_was_big_in_the_year_of_the_drought/?ref=rss</link>
           <description>
  An arresting sentence in Sebastian Faulks’s fine novel Engleby &#40;2007) brought a smile to my lips as soon as I read it. “I couldn’t stand another article about 1970s fashion, Abba or tank-tops. This
  kind of decade-drivel used to be the territory of Chicks’ Own or Bunty but has now run through whole sections of once-serious newspapers.”
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           <pubDate>Wed, 03 Jun 2009 12:44:56 +0100</pubDate>
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           <title>The decade of Bunty and Blossom Toes</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4417179.The_decade_of_Bunty_and_Blossom_Toes/?ref=rss</link>
           <description>
  An arresting sentence in Sebastian Faulks’s fine novel Engleby &#40;2007) brought a smile to my lips as soon as I read it. “I couldn’t stand another article about 1970s fashion, Abba or tank-tops. This
  kind of decade-drivel used to be the territory of Chicks’ Own or Bunty but has now run through whole sections of once-serious newspapers.”
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           <pubDate>Wed, 03 Jun 2009 12:43:52 +0100</pubDate>
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           <title>How architect Jackson left his mark on Oxford</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4329533.How_architect_Jackson_left_his_mark_on_Oxford/?ref=rss</link>
           <description>  There is scarcely a more iconic image of Oxford than the Bridge of Sighs linking two parts of Hertford College above New College Lane. Millions of photographs of it must feature in albums across
  the world. At the weekend I was admiring a study of the bridge produced even before it was built. How so? Because it was the work of its architect. Who was he? For every reader who can name him I
  feel sure there will be a hundred others who cannot. Sir Thomas Graham Jackson, Baronet and Royal Academician, is not nearly as well known as he deserves to be in a city on which he left a mighty
  mark.
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           <pubDate>Wed, 29 Apr 2009 13:50:19 +0100</pubDate>
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           <title>A wonder cure for fatties?</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4311836.A_wonder_cure_for_fatties_/?ref=rss</link>
           <description>
  Alli slimming pills went on sale over the counter at pharmacists this week, giving the nation’s fatties a hope of a trimmer tomorrow. Myself, I shan’t be needing them, having been made aware of a
  rival product that, frankly, puts alli firmly in the shade. It is called the Size-Zero Pill because it is capable of reducing you, in an instant to . . . well, size zero.
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           <pubDate>Wed, 22 Apr 2009 17:20:44 +0100</pubDate>
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           <title>Why can only black actors play Othello?</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4311820.Why_can_only_black_actors_play_Othello_/?ref=rss</link>
           <description>  I have seen three productions of William Shakespeare’s Othello in recent weeks in each of which, of course, the title role has been played by a black actor. I say of ‘of course’ because these days
  the idea of any white actor ‘blacking up’ for the part is unthinkable.
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           <pubDate>Wed, 22 Apr 2009 17:18:18 +0100</pubDate>
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           <title>Kelly's eye for the handsome headmaster</title>
           <link>http://www.oxfordtimes.co.uk/news/opinions/graymatter/4295343.Kelly_s_eye_for_the_handsome_headmaster/?ref=rss</link>
           <description>  St Edmund Hall was not a popular destination for Oxford entrants from Westminster School during John Rae’s headmastership. Perhaps this reflected its status as far from the smartest Oxford college;
  perhaps it had something to do with the reputation of its Principal, Canon John Kelly – pictured above with the University Chancellor Harold Macmillan – for being rather a danger where young men,
  particularly the sportier ones, were concerned.
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           <pubDate>Thu, 16 Apr 2009 11:12:28 +0100</pubDate>
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