The exhibition brings together the work of 11 very different artists. Pieces on show range from the statuesque to the diminutive. Definitely statuesque are the sculptures made out of recycled metal by Sophie Thompson, Andrew Thompson and Simeon Lea. Each has cleverly used found materials to create witty, engaging sculptures that would fit well in a domestic or garden setting. Lea has created a series of square Masks: metal faces brought to life by features made from nuts, bolts and scrap, with ‘hair’ made of nails or old bicycle chains. Bicycle chains feature, too, in Andrew Thompson’s Homage to Dali (right), where the chains form ‘dreadlocks’ framing a surreal angular face. Sophie Thompson has made Birds 1, 2, 3, three superb long-legged, long-necked creatures with bodies made from industrial ball-cocks, heads from old rusted shears and tails variously made from garden forks and rakes.

Fizzys is the diminutive and eminently collectable collection of bracelets and chokers made by Isabella Jewell and Freya Mosedale. The enterprising pair, aged 11 and 12 respectively, have put buttons and beads together in creative and amusing ways that make them immediately wearable.

There are some very strong pieces in the exhibition that work well together, with colours and forms interacting — as in the inter-play between Harriet Coleridge’s large and elegant curved stoneware goblets and the movement of wind and clouds captured in Sue Wheeler’s lino-cut The Windrush Valley.

Caroline Maas’s powerful etchings Spring Down from Wittenham Clumps and Down from Wittenham Clumps, provide an almost aerial view that deconstructs the landscape to a minimum and in the process gives a strong feel for the wide open nature of that part of Oxfordshire.

The exhibition is at Radley College and open daily (except November 25-30), It continues until December 12.